Some folks will argue that Punk music has no business being promoted, it should be so anti-commerce or capitalistic that people should just stumble upon the music and listen for free, while the artists, gets nothing in return but love and admiration. Others will note that the artists can’t feed him or her self on this love and admiration and the artists should be making music with the sole purpose of making as much money as possible.
I fall somewhere in between. Artists should be able to make a living if they can but music is at its best when a higher purpose other than to make a buck is at heart.
It’s a philosophical discussion I prefer to have over a couple of beers. So in the meantime, we’ve cranked out a few more :30 promos to air inside of Raw Travel which launches this fall as the first punk inspired travel show. An independent travel show, independently financed and produced with mostly blood, sweat and tears…. and oh yeah, good old fashioned greenbacks. Nothing is free my friends. sad, but so very true.
I don’t think it gets any more punk rock than this, but then again, who am I to say ? I’m so sleep deprived, tired and stressed out, I don’t really care what anyone thinks anymore. Here are some promos.
Enjoy or don’t… but know this.. more are on the way.
One of my favorite songs, “Perfeccion” from one of my favorite bands, Los Suziox. Check out their recent performance on what I assume was live Colombian TV below. If you dig the song it’s available for 99 cents at iTunes HERE.
I don’t like plugging random punk shows and events too often because there are so many and our readers are from so many different locations it isn’t useful to everyone. But considering such a large % of our readers are from Colombia and Latin America I thought it might interest people to know about this big festival coming up in Medellin. It’s also a good chance to hear our good buddies from Punk Outlaw Records,“Los Suziox”and other excellent local punk bands.
And in case you missed the article we put out on the Colombian Punk scene in Remezcla magazine, you can check it out HERE.
or I’ve posted the “un-edited” raw version just for you, our loyal readers. Enjoy!
LIKE A GOOD PUNK SONG, IT BEGINS WITH INJUSTICE
I remember it clearly, or as clearly as anyone of us can remember anything. I was at an outdoor café in Parque Lleras in the upscale neighborhood of Poblado in Medellin, Colombia. This was my first visit to Medellin and I had been there just long enough to realize how ridiculous of my irrational fears of being kidnapped or killed in a drug war shootout were.
Lleras was an appropriate spot for a semi-nervous turista to grab some food and people watch. It felt “muy tranquilo”. Most people looked as if they were lifted out of a scene from a hot nightclub in Miami or Los Angeles. The girls were dressed sexy and the guys were sizing them up unabashedly while drinking beer or shooting aguardiente, a Colombian liqueur sometimes called firewater.
Suddenly, I saw something I’d never seen in my travels to Latin America heretofore, a trio of hardcore looking young punks, two guys and a girl, walking around plying their handmade leather wristbands and jewelry to the visitors and upscale denizens of Medellin.
I don’t remember specifically what they were wearing but there was no doubt they were punks. They were of the mohawk wearing, tattooed and pierced variety, the kind you might see at an Exploited or Casualties show moshing it up and stagediving, not posers.
“There are punks in Latin America?” the naïve nature of my first thoughts would later be cause for much amusement. I would find that “por supuesto” (of course) there were indeed many punks in Latin America with a rich history at that.
WHERE AM I & HOW DID I GET HERE?
At this point in my life, I was a fairly new observer of the punk lifestyle not realizing that even though I was not of the Mohawk, tattooed, pierced variety, I can now confidently state that I was pure punk. Though always slightly rebellious and suspicious of authority, even in my native Tennessee, my theory is that I’ve been a punk since birth, but that my “punkness” had lain dormant. I was a punk and didn’t realize it until I’d lived in New York City for a few years and against some pretty heavy odds, tried my hand at becoming an entrepreneur and changing a small but ugly part of the media business.
“A punk-rock businessman?” you ask. Yes. They, like Colombian punks, also exist. At the time when I began my entrepreneurial pursuit of producing English language TV for young, American born Latinos, it seemed it was me (a white farm boy), my friends (almost all Latino) and our cause (representing Latinos in mainstream media) against a largely ignorant and biased media world run by large corporations and their just as hefty corporate sponsors.
At the beginning, my small, bootstrapped and grossly underfunded company was often on the verge of extinction but we found strength in our commitment to fight the status quo of corporate media giants and their sometimes willful ignorance. In my eyes at the time, they represented an intellectually lazy culture that was largely intent on keeping things the same. We represented a new, open minded culture that demanded change.
Money didn’t motivate me, (I viewed it more as a tool to stay alive and fight the good fight), as much as the cause, which felt more and more like the right thing as many people first ignored us, then laughed at us and finally attacked us ( the 3 stages of success).
It was at this time in my life when I mistakenly thought I would fail but had pledged I was going to go down swinging, blacking a few eyes along the way, that I also mistakenly bought Social Distortion’s “White Light, White Heat, White Trash” CD. This happy accident was a bridge to a genre and lifestyle that would take me on a journey to points the world over and would forever change my life.
At this point of the Colombian punk sighting, I was not an entirely seasoned, independent traveler just yet either. Most of my travels had thus far consisted of staying in chain hotels confined to the safety of tourist zones in places like the Dominican Republic or Costa Rica. I had a lot to learn about both the punk lifestyle and independent travel.
MY ACCIDENTAL JOURNEY
Watching these punked out Colombian teens, my curiosity was peaked. I wanted to speak to these guys and even though my Spanish was rudimentary, I wanted more information. Information like; “How did they become punks?”, “Was there a big scene in Colombia?”, “What bands influenced them most?”, etc.
I followed at a distance trying to catch up. The sight of a running gringo is rarely a sign of anything good in these parts, so I briskly walked to the corner of the main road where a bus was making its stop.
Bus routes or collectivos in Colombia and most of Latin America are run by private drivers and though they are subject to some government oversight, it feels a bit like the wild West at times. Each bus is often “hooked up” with chrome trimmings while brightly painted designs and nicknames on the front or side reflect the personality of the driver and even its destination.
The rides can sometimes be rough. Years later, when I actually lived in Colombia for a few months, I regularly took the bus and once witnessed a lady literally getting bounced out of her shoes. Had we not grabbed her she may have bounced right out of the open, back door of the bus!
Now this is the part I have replayed in my head many times since. As the punks attempted to gain entry, the bus driver, who looked like a decent guy but had the posture of a hardworking man who’s run this route 6 days a week, 12-15 hours a day for a while, shook his head vehemently “no”, refusing to open his doors and drove away trailing a smelly, cloudy diesel exhaust to a chorus of “puta madres” and “hijo de puta” protestations from the trio of young punks.
After witnessing this discouraging scene, alas, I lost my nerve to approach the now irritated punks. I had wandered off tourists’ reservation and felt the sudden need to head back to familiar territory.
But that incident with the punks and the bus in Medellin was firmly tattooed on my brain and inspired me to bring my video camera on what would become many subsequent trips. I would attempt to document the punk scene not only in Colombia but all of Latin America and even the world! I now had a host of other questions like “Are punks regularly discriminated against?”; “Do police harass them?”; “What do their families think?” “What’s it like being a punk in the developing world” etc.
Since that incident, my travels have taken me on several journeys throughout Latin America including Guatemala, Argentina, Uruguay, Honduras, Chile, Peru, Ecuador and even Cuba with plans to hit the meccas of Mexico and Brazil. I’ve also traveled to Trinidad & Tobago, Spain, Russia, Romania, Ukraine, Hungary and Serbia. My goal is to visit every continent, even Antarctica. .
So far I’ve conducted scores of interviews and watched dozens of punk bands perform. I’ve posted some of them on my video blog PunkOutlawBlog.com which also serves as a rough outline for the bigger project, a documentary film entitled “Punktology” with the ever-evolving tagline “The Power of a Punk Planet”. I began a digital record label called Punk Outlaw Records to bring some of this punk and underground music to audiences in North America and Europe.
So much has been documented about punk from the U.S. and U.K. perspective, but what of the rest of the world? I also attempt to cover not just punk but other related, underground genres like Rockabilly, Psychobilly, Ska, Reggae, etc. in an attempt to find out what makes the scenes tick and tied together.
These bands and scenes aren’t merely extensions of the U.S or U.K, but separate and divergent with their own uniqueness set in a larger global ecosystem that while unorganized somehow has a natural order, almost like a collective consciousness in a punk parallel universe.
It’s the same but different at the same time. Same enough to have this love of punk in common yet diverse enough with their own cultural idiosyncrasies to prove interesting.
That punk/bus incident in Colombia inspired me to look further and see what stories had been left untold about the music I love from the rest of our planet.
COLOMBIA – A PUNK SORPRESA
I like surprises, like the Social Distortion CD or punks in Colombia where I had done no prior research and had no idea what to make of it. Maybe that’s why years later even after all these other travels, I still find myself fascinated by the depth and passion of the punk movement in Colombia.
From Bogota’s rough and tumble scene (which often may feature an element of danger or a riot ending with the police firing tear gas) to the “usually” more peaceful but equally fuerte scenes in Medellin and surrounding coffee country lands of Manizales, Armenia and Pereira to the coastal areas of Cali & Cartagena and even the Amazon. Colombia’s punk scene is as diverse as the country itself.
BOGOTA FOR THE BRAVE – ROCKIN ROLOS!
Many start their journey to Colombia in the big, bustling, high altitude capital of Bogota. If you hit a punk show here it’s probably going to start off calm enough but stick around and it’s almost guaranteed to get crazy. At a Casualties show I covered in 2009 the police had a showdown complete with tanks and teargas with the punks in the street who were partying outside the venue. Thankfully the concert inside went on and was an utter blast.
Then of course, there is Rock Al Parque, a huge free outdoor music festival organized by the government that last for days, garners hundreds of thousands of attendees and features acts from all over the world. It showcases diverse styles of music including Rock, Metal, Reggae, Ska, World and some Punk.
While Punk is somewhat represented at Rock Al Parque, the selection process to play has become politicized and rife with controversy, so much so that many punk bands say “f*&k it” and play instead at simultaneous, smaller underground shows. .
In 2010 while covering Rock Al Parque, I left my press credentials behind and attended one such event and for a brief moment thought I might not make it out with my life, much less my camera. Unbeknownst to me at the time, there had been a stabbing outside. The police arrived and too many people rushed inside, resulting in serious overcrowding for a venue with only one rear entrance serving as the exit. I was thinking “fire trap” and unable to get the tragic “Great White” concert in Rhode Island out of my head. I found myself in the midst of some very drunk & rowdy punks and unable to navigate to the lone exit.
When I finally did make it out of the too small venue, it was around 2 AM and the big crowd outside had completely disappeared. It was just me, in a lonely and decidedly non-touristy part of Bogota toting around a fairly expensive camera with a few desperate souls lurking in the shadows. I never felt more like a target in my life. Eventually, I made it home safely with incredible footage but unclear if I’d truly been lucky or just another jittery Gringo.
If Psychobilly is your thing, well there is an emerging Psychobilly scene with bands Los Chiclosos Desmembrados and Salidos de la Cripta doing their part, but it’s clear that for most underground Rolos (nickname for Bogotanos), Punk rules.
MEDELLIN IS A MECCA – PUNK PAISAS
Maybe it was my emotional connection with the trio trying to catch that bus, but I think it goes deeper than that, whatever the reason I was immediately drawn to the punk scene in Medellin.
On subsequent trips, hanging out in Parque Poblado (a working class alternative to the nearby and higher priced Parque Lleras), I was able to get to know punks in Medellin first hand. I discovered, through interviews and web sites like ColombianPunk.comand Punk-Medallothat Medellin was a mecca and had been since the 1980s & 90s when the FARC, Narco Trafficos and Colombian government were in a bloody war that ripped the country apart. Each had demanded that punks take their side. Most didn’t and as such were targets from all sides. In the U.S. it was cool to wear a mohawk, in Colombia, it could be deadly.
Maybe it is the fact that the Paisas (a nickname for Medellin’s residents) survived such a devastating war (this was after all Pablo Escobar’s home turf) but you’d be hard pressed to find a friendlier, more hospitable bunch than the Paisa Punks of Medellin. More notably, I don’t think I’ve ever seen the depth of punk musicianship that I’ve encountered in Medellin anywhere in the world, including modern day Los Angeles or New York City.
In Medellin you have famous, legendary veterans like I.R.A., a co-ed trio of punks who over their nearly 30 year career are still putting out music and toured the U.S. and even CBGBs in 2004.
Then there are I.R.A.’s hardcore peers, Fertil Miseria fronted by Viki, her tatted bald head instantly recognizable to fans throughout the country. Viki, with the rest of her band mates and other friends in the tightknit scene, also run “Rock N Roll Tienda”, a store where you can get hooked up with punk & metal gear, patches and pins.
Bands like Los Sornos (garage punk) and Neus (industrial punk), Estoy Puto, GP, Desaptadoz, Disastre Capital, Infeccion Sikosis, Lokekeda and many, many more have been performing excellent punk music in Medellin and surrounding areas for years now. International acts like the Casualties, the Addicts and Konflict roll through town on a semi regular basis. And while psychobilly is more of a Bogota thing there is an emerging rockabilly scene with the excellent Dorados Rockabilly Trio spreading their rockabilly rhythm with shows at tattoo conventions, motorcycle shops, etc.
But perhaps the headquarters for punk music in Colombia is Medellin’s northernmost neighborhood of Bello, a rough and tumble barrio 45 minutes away by car from the more comfy confines of Poblado. Bello is where the leader of Los Suziox (The Dirty Ones), Andres Ocampo lives, works and produces at his DIY recording studio and where on the streets of this decidedly working class barrio, he is a bona-fide celebrity.
In Bello punk almost feels main stream. It is just part of the culture and no one waves the Bello moniker more proudly than Los Suziox who have performed their infectious melodic punk for thousands of frenetic fans all over Colombia but strangely never at Rock Al Parque.
Why is punk so big in Colombia? David & Monica from I.R.A. say that it is because of the suffering Colombians have experienced over the years and that punk music’s popularity comes from “the hearts of the youth who are living with unemployment, violence and intolerance” on a daily basis.
In my travels, I have to agree. Misery is great fodder for a punk scene, but it doesn’t really explain the full story. Places like Guatemala, Honduras, Venezuela and Ecuador have also seen their share of misery yet have comparatively smaller scenes. Indeed the misery index is high in many places where the punk scene is a fraction of the size and depth of Colombia throughout Latin America (in Argentina punk was outlawed during the military dictatorship, Peru was ripped apart by terrorism and war in the 1980s as well and don’t get me started about Cuba).
But Andres of Los Suziox, who doesn’t shy away from heavy subjects like global politics in his lyrics, says that Colombia’s casual, good time culture also has a lot to do with it, matching up favorably with Punks DIY and democratic method of delivering a diverse message. Andres states that “Every punk in Medellin has a band. Even if two drunks are in a park strumming a guitar, they can be a (punk) band. This is real music, music from the gut. There are no rules. You don’t have to be a virtuoso. You don’t have to be pretty, look at me!”
Colombia has been known for many things; a brutal war that once made inter country travel almost impossible, thuggish drug cartels, government corruption, and crippling poverty in a capitalistic economic system that still too often leaves the weak to simply fend for themselves.
It’s also known for incredibly diverse ecology, cultures and geography, delicious food, cheap beer an emerging middle class and some of the friendliest people you’ll ever meet. Oh and one more thing, now it can be known as a place with some of the best punk music you’ve ever heard.
I can hear the Colombian tourism bureau’s new tagline now “Colombia… the only risk is that you’ll get a mohawk”.
The long awaited article on Colombian punk is out at Remezcla. You can check it HERE.Yes, it’s little long but highly entertaining if I say so myself (self depreciating laugh inserted here).
What’s that you say? You are more of a visual person? Yes, I know, all those words can be headache inducing.
So for all you who’d rather see a moving image or most likely, cause I know you are a smart bunch (except for the occasional idiots who post and we hopefully have run off.. which I have a theory is just one idiot posting under different names from time to time) and are probably dying for MORE INFORMATION after reading the article from beginning to end 2 or 3 times, then I’ve included a couple of the videos referenced in the article below.
Also, some pretty cool Colombian punk photos beyond the extensive collection that we have on our FLIKR PAGE can be found at our buddy’s Facebook page HERE.
Enjoy your Colombian punk experience Parceros (thta’s Medellin speak for “friends”)… Oh and feel free to comment at Remzcla and tell them how great, smart and funny we are. Or if you are one of the aforementioned idiots (reinsert self depreciating laugh again… wait for it……. ok here), then go ahead, tell them the opposite. Dammit Fidel, that pesky freedom of expression stuff keeps tripping us up!
I’m back in the U.S. of A. now, memories of Colombia still fresh on my mind. I was all over the place, Popayan, Cali, Medellin and Bogota, in just 11 days. As posted here earlier, we were able to cobble together a video shoot of the Medellin’s rockabilly band “Dorados Rockabilly Trio”for their song “Diamond Girl” which we hope to edit and debut for you guys sometime this fall.
But I also was able to sit in with my punk rock buddies “Los Suziox” (The Dirty), who’ve been rocking the entire country of Colombia since 1996. Los Suziox is somewhat of an open secret, playing to huge crowds in Colombia but never having toured outside of there. Hopefully that will change someday as more and more people in North America, Europe and even Australia get turned on to their melodic and politically charged songs. I know I’ve been getting emails from new fans from all over the world ever since we premiered their really excellent CD “El Fin Justifica Los Medios”(The End Justifies the Means) a couple years back and made it available on iTunes & Amazon Music.
Here are a few photos from that rehearsal which features one of those fans, Rocky, who happened to be visiting from Hungary at the time I was there (he’s the other gringo, with the Los Suziox guitarist in a headlock in the group photo) and who also happens to be in a punk band called Lecsa Punk in Hungary. Why didn’t I cover them when I was visiting Hungary you ask? Nothing gets by you loyal reader, but Rocky was in Colombia when I was in Hungary? Dig? (I’m talking jive from the 70s these days, must be all this travel exposing me to cheezy 70s and 80s music)
A special treat for our readers; a very rare performance of their song “Miseria” which is a Los Suziox song from back in the early days. Miseria and other songs from their extensive catalog are currently being rerecorded into a re-release at Andres Ocampo’s (lead singer) home studio.
Let me know what you think about this tune “Miseria” that I was able to capture the boys performing n the old flipcam. Que chimba (How cool) is that?
Not too many weeks ago, we wrote on this very blog, how Rock Al Parque, Bogota Colombia’s big music festival and one of the biggest music festivals in all of South America, was holding a competition among a group of local Colombian bands to see which would garner the most votes and hence be rewarded with a slot at the 2012 Rock Al Parque Festival. (Missed it? read it HERE)
In that entry, we expressed confusion that a band of Los Suziox’s caliber not only had never before played the festival, but was now being forced into an undignifying process of a rather convoluted online voting contest to qualify. It’s not as if Rock Al Parque is some fly by night festival. As we’ve described it’s big. When we attended in 2010, it was also by all our observations, well organized and well run. In 2010 we witnessed a plethora of different styles of music from metal, to hardcore to reggae and a little bit of punk was sprinkled in. Punk was not ignored.
But the question I asked then, is the one I ask now “why wasn’t Los Suziox, at least as good or better than some of the bands playing the festival (I realize “good” and “better” are relative terms but in this case, it’s a pretty obvious observation) playing “Rock Al Parque”.
Rock Al Parque features diverse music from punk to metal to reggae
When I posed this question to the band, Los Suziox, the unconcerned reply I recieved was that it was “politics” but they were hopeful to be playing the event in 2011. 2011′s event came and went and still no Los Suziox at Rock Al Parque.
And now this.
After reporting that Los Suziox won a tough, close online voting contests, we’ve just gotten word that it appears that they actually did NOT win the voting and will NOT be playing Rock Al Parque. And just like any election in any developing country (and in many developed countries as well), this voting process seemed rife with controversy from the get go. The Los Suziox Facebook page was hacked and Andres, the lead singer, had his email attacked during the voting period, seriously hampering their “get out the vote” campaigns. This suggest it wasn’t just a lack of recognition of Los Suziox’ talent by the organizers and that something more sinister was at play.
Could it be that the Colombian government which funds the festival, doesn’t appreciate Los Suziox’s raw and unvarnished critique of their government? Normally, I’d laugh and say “yeah right”, but given what seem to have occurred, I’m not so sure anymore.
When Los Suziox lead singer, Andres Ocampo emailed the organizers of Rock Al Parque, he was met with silencio.. yes, silence and the organizers completely ignored his inquiries and request for explanation on how the voting results were tallied.
This brings to the surface issues that run much bigger than just a band trying to play in their home country’s music festival. It brings up the corruption and fraud issues that time and time again rear their ugly head in countries like Colombia, countries that are on the surface trying to turn the corner and have a true, democratic society but always seem to dragged back down by a few people in power who seem more bent on controlling things than letting people decide things in an honest, unbiased manner.
I’m not on the ground in Colombia so I can’t say for sure what is going on, but I did peruse an open letter Andres posted on Los Suziox’s Facebook page addressed to the organizers. Andres is a pretty laid back guy and while he writes some very, very powerful and socially conscious music, by and large, it seems pretty hard to get him truly upset. But now it seems the organizers at Rock Al Parque have touched a nerve.. corruption and cover up.
And while there are bigger travesties than Los Suziox not playing Rock Al Parque (like Fidel Castro continuing to abuse the Cuban people or genocide in FILL IN THE BLANK COUNTRY, poverty, starvation, or, etc, etc.) the roots of corruption, whether in a Wall Street firm, a Bannana Republic nation or a perhaps now a big music festival… seems to stem from the same place… greedy, small minded people who want to control who and what we see, hear and do, who we buy from, who is successful and who fails, who makes money, and who does not, etc, etc.
My Spanish is rusty now a days so I had to use google translate, but even with this imperfect translation system, I could see that Andres letter was a powerful bit of literary that needs to be read. So if you are not Spanish literate, I suggest you do a little cut and paste, fire up google translate and take a gander at Andres’ letter to the Rock Al Parque folks.
I don’t envy the job of the folks at Rock Al Parque. It’s probably gotten so big over the years, I can only imagine what it must be like trying to organize it every year. But I can tell you this, they need to appreciate the incredibly talented musicians there are in Colombia and make sure the showcase for local and international bands built so nobly for the Colombian people, actually reflects the wishes and tastes of the Colombian people.
Here is hoping they come to their senses and stop playing favorites.
At 2010′s Rock Al Parque
ANDRES OCAMPO’S LETTER TO ROCK AL PARQUE ORGANIZERS IS BELOW:
porque no sabemos quienes son las personas encargadas de las votaciones online para rock al parque, nunca se presentaron, nunca nos han escrito, no sabemos a dónde hacer llegar este comunicado directamente.
Según un comunicado oficial de la organización faltó “TRANSPARENCIA” en el proceso de votaciones online para los 6 cupos en rock al parque 2012… No señor@s. Lo que faltó fue un equipo profesional,idòneo, responsable que se encargara de llevar a cabo la labor de garantizar una plataforma digital segura y vigilar cualquier anomalìa, nosotros informamos continuamente cuando hubo problemas en la pàgina de votaciones y tambien informamos del ataque virtual a todos nuestros correos y pàginas de facebook, ataques que disminuyeron seriamente nuestra campaña pro voto pues pasamos del primer lugar al tercero, pero, como no tenìamos un contacto directo con la organizacion nuestros mensajes no fueron recibidos. Faltò un serio seguimiento a este experimento, en el cual se puso en juego la reputación de PERSONAS y DE GRUPOS que llevan mucho tiempo trabajando seriamente, pues declarar que “la iniciativa ha convocado a prácticas poco transparentes” y que generó “intervenciones fraudulentas en los servidores para INCREMENTAR las votaciones” es lavarse las manos y sembrar sizaña.
Es bien sabido que este tipo de prácticas son vulnerables y que la adulteración las hace ilegítimas entonces cualquiera que desee que el proceso sea invalidado fácilmente lo podría boicotear. Por eso, apoyamos la decisión de cancelar los seis cupos que se pretendían pero es algo que se sabía que ocurriría pues ya hemos tenido la experiencia*; cosa que nos parece misteriosa porque si se trata de especular, el que nunca haya habido una comunicación directa de los encargados con las bandas da pie para pensar que todo este circo estaba planeado y no querían que hubiese una cara responsable que enfrentara lo que sabían que se venía.
¿POR QUÉ EL SILENCIO DE LAS BANDAS? ¿POR QUÉ LAS BANDAS NO DICEN NADA, AÚN SABIENDO QUE HAY MUCHO POR DECIR? ¿SÒLO COMENTARIOS A REGAÑADIENTES? ¡OBVIO! A LAS BANDAS LES DA MIEDO SER VETADOS EN EL FESTIVAL.
A nosotros, no nos tiembla la mano ni la voz para reclamarles a las personas encargadas del proceso de votaciones que ¡NOS RESPETEN! ¡SOMOS GENTE! ¡NO SOMOS MERCANCÌA!, ¡RESPETEN A NUESTRO PÙBLICO, RESPETEN A LA GENTE QUE SE TOMÓ EL TIEMPO DE VOTAR, RESPETEN A LOS ARTISTAS, RESPETEN A LAS BANDAS Y LO MÀS IMPORTANTE, RESPETEN AL PÚBLICO!, ¿No les da vergüenza esta cátedra de incompetencia y de descaro?, No “celebren” el entusiasmo de los miles de seguidores de todas las bandas que acudieron a votar, pídanles disculpas a todos por su incompetencia, por su afán de mostrar cifras.
Seguimos esperando los detalles del estudio realizado por “una reconocida empresa de auditorías para garantizar el derecho a una información veraz y precisa a los y las votantes así como a las bandas postuladas y demás personas interesadas.”
*(votaciones festival altavoz 2009, mayor votaciòn: Los SuZioX, al final las votaciones fueron tomadas como “un simple sondeo” y no válidas, pero si tocaron las bandas que quedaron en el segundo y tercer puesto)
Sin miedo a consecuencias. Los SuZioX
We’ve received some passionate responses. It seems Rock Al Parque has been controversial for some time and I guess that is to be expected for a festival that got so big so fast and is sponsored by the government.
For those of you following this story, here is a link to the Spanish language site Terra.com that did an article on Los Suziox and the Rock Al Parque voting controversy.
The Spanish version is HERE and to obtain an English translation with Google Translate go HERE and cut and paste (not a great translation but will give you a sense of what is going on).
Punk Outlaw Records is tickled punk to announce the release of our very first ringtone. That’s right, the kick ass single “Armas Silenciosas” (Silent Arms) from our good buddies down in Medellin, Colombia “Los Suziox” (The Dirty) is out as a ringtone for iPhone users for just 99 measly cents.
Give “Armas Silenciosas” a listen right HEREand if you think you might want this very cool ringtone for yourself then log onto the ringtone store on your iPhone and search for “Los Suziox”.
While you are at it, check out the whole release from Los Suziox “El Fin Justifica los Medios” (The End Justifies the Means). It’s a very popular CD down from one of the most talented bands to come out of Colombia in a while… and that’s saying a lot because the punk music scene there is first rate… trust me, I’ve been there a lot.
Lokekeda, (roughly translated from Spanish to English means “leftover food”) hails from Envigado, a small and quaint suburb in the southern part of Medellin, Colombia which has it’s own distinct vibe including it’s own bars and restaurants, it’s own town square, it’s own little slice of Medellin life and it’s own punk scene.
It’s where I took Spanish classes and where I first met the guys from “Lokekeda” who thankfully, because my Spanish classes didn’t really stick that well, had an English speaking drummer, Cesar.
Cesar is actually a local English teacher. Cesar speaks with a decidedly British accent when he speaks English, having learned English himself from a British teacher.
Cesar’s English is not the only British influence on Lokekeda. They site classic punk bands like Sex Pistols, Addicts, The Damned as well as more mainstream bands like AC-DC as influences.
I first decided to sign “Lokekeda” to Punk Outlaw Recordswhen I heard this song, “Espinas Assesinas” which very, very roughly translated means killer spine or killer thorns. Some things don’t really translate as well as others it seems but the thing I remember about hearing this song was hitting the play button over and over again until I wore down the “play” grooves out on my ipod player’s button.
Espinas Assesinas is a featured single on the “Punktology Volume 1 – Free Cuba Now!”CD Compilation put out late last year and it will be featured on our upcoming CD release for Lokekeda entitled “Medellin es Punk” which has been available in Colombia for a while, but will make it’s debut outside of the country on Punk Outlaw Records.
Word is, the guys are working on a 2nd follow up CD with our buddy Andres Ocampo, lead singer for legendary punks “Los Suziox”providing producing duties at his studio in Bello, the northern most suburb of Medellin.
So the guys from the Southern most suburb of Medellin are traveling all the way to the northern most suburb of Medellin to create punk/hardcore music that will find it’s way to laptops, stereos and ipods the world over?
Punk music, my friends, has become global and we should enjoy it, open our minds, hearts and our ears to music in other languages. Whether you speak or understand Spanish or not, I hope you dig this video from Lokekeda. Please stay tuned for news on their upcoming CD “Medellin es Punk” coming soon to Punk Outlaw Records.
PUNK OUTLAW RECORDS LAUNCHES NEW MULTIMEDIA WEBSITE
& SIGNS ROCKABILLY BAND FROM COLOMBIA
- Emerging Label Features Several Newly Signed Bands from Latin America & Announces First Rockabilly Release with Colombia’s “Dorados Rockabilly Trio” -
Los Angeles, CA January 31st, 2012 – Punk Outlaw® Records announced the launch of its newly redesigned website at www.PunkOutlawRecords.com which showcases several newly signed bands from Latin America.
The site also displays greatly enhanced features where fans can preview and listen to the individual artists’ releases and if they choose, purchase and download music. Fans can also view photos and videos from the different bands as well as join the newsletter where they can keep abreast of new releases and receive free music downloads on a periodic basis.
In addition to the label’s recent releases from the label’s original roster, Colombian Punk Rockers “Los Suziox”and Uruguayan Punkabilly stalwarts, “Rudos Wild”, the label recently released its first compilation collection, “Punktology Volume 1 – Free Cuba Now!” which features 16 punk and hardcore tracks from 8 artists from Latin America and the Caribbean.
The label’s site also features the debut release from the label’s first rockabilly band, Colombia’s “Dorados Rockabilly Trio”. The release titled “Conflicto de Espacio Blanco” (White Space Conflict) features six (6) original tracks, in English and Spanish including one dedicated to pin up icon “Bettie Page”.
“The redesigned site will help us more effectively share the musical experience of punk, rockabilly, psychobilly, ska and reggae from our travels all over the world. We plan on signing more bands and releasing more music and we hope that the fans will come to view the site as a valuable resource for discovering new music and artists regardless of their geography” States Robert G. Rose, Founder of the Punk Outlaw Records. “We plan to run the label in a non traditional manner, more like a cooperative, with artists and fans both contributing to and benefiting from the label’s success. We also hope to always keep a higher purpose in mind, experimenting with unique promotional ideas that can also help others” Rose continues.
The fledgling record label hopes to showcase a minimum of at least one new release each month, from a variety of punk genres and subgenres from artists the world over. The label’s current roster of bands include the afore mentioned Los Suziox (Colombia), Rudos Wild (Uruguay), Dorados Rockabilly Trio (Colombia) as well as Punktology Vol. 1 participants, Anti-Everything (Trinidad), Demeter/DMTR (Ecuador), El Terrible Y Los Mongoloides (Peru), Lokekeda (Colombia), Warning (Guatemala) and Fertil Miseria (Colombia). More announcements are expected in the coming weeks.
PUNK OUTLAW RECORDS LANZA UN NUEVO SITIO MULTIMEDIA E INCORPORA UNA BANDA DE ROCKABILLY DE COLOMBIA
El incipiente sello discográfico cuenta con diversas bandas latinoamericanas incorporadas recientemente y anuncia el primer lanzamiento de rockabilly con la banda “Dorados Rockabilly Trio”
Los Ángeles, CA, 31 de enero de 2012 – Punk Outlaw® Records anunció el lanzamiento de su sitio web recientemente rediseñado www.PunkOutlawRecords.com, el cual exhibe diversas bandas latinoamericanas incorporadas recientemente.
El sitio también muestra funciones totalmente mejoradas mediante las cuales los aficionados pueden previsualizar y escuchar los lanzamientos de sus artistas favoritos, y comprar y descargar música si lo desean. Los aficionados también pueden ver fotos y videos de diferentes bandas, así como unirse al boletín informativo con el cual pueden mantenerse al día respecto de los nuevos lanzamientos y recibir descargas de música gratuitas periódicamente.
Además de los lanzamientos recientes de la lista original de artistas del sello discográfico, los artistas colombianos de Punk Rock “Los Suziox” y los gigantes uruguayos del punkabilly, “Rudos Wild”, la discográfica lanzó recientemente su primera colección de compilados, “Punktology Volume 1 – Free Cuba Now!”, la cual cuenta con 16 temas de punk y hardcore de 8 artistas latinoamericanos y caribeños.
El sitio web del sello discográfico también cuenta con el lanzamiento debut de la primera banda de rockabilly de la discográfica, los colombianos “Dorados Rockabilly Trio”. El lanzamiento titulado “Conflicto de Espacio Blanco” cuenta con seis (6) temas originales, en inglés y español, incluido un tema dedicado al ícono del modelaje fotográfico “Bettie Page”.
“El sitio rediseñado nos permitirá compartir de manera más eficiente la experiencia musical del punk, el rockabilly, el psychobilly, el ska y el reggae obtenida en nuestros viajes por todo el mundo. Nuestro plan es incorporar más bandas y lanzar más música, y esperamos que los aficionados vean el sitio como un recurso valioso para descubrir nueva música y nuevos artistas, sin importar el lugar donde se encuentren”, dice Robert G. Rose, fundador de Punk Outlaw Records. “Nuestro plan es administrar la discográfica de una manera no tradicional, más como una cooperativa, con artistas y aficionados que contribuyan al éxito del sello discográfico y se beneficien de él. También esperamos mantener siempre un importante objetivo en mente y experimentar con ideas promocionales exclusivas que también puedan ayudar a otras personas”, continúa Rose.
El novel sello discográfico espera exhibir, al menos, un nuevo lanzamiento por mes de artistas de diferentes géneros y subgéneros del punk de todo el mundo. La lista actual de bandas del sello discográfico incluye a las bandas antes mencionadas: Los Suziox (Colombia), Rudos Wild (Uruguay), Dorados Rockabilly Trio (Colombia), y a los participantes de Punktology Vol. 1: Anti-Everything (Trinidad), Demeter/DMTR (Ecuador), El Terrible Y Los Mongoloides (Perú), Lokekeda (Colombia), Warning (Guatemala) y Fertil Miseria (Colombia). Se esperan más anuncios en las próximas semanas.
16 Songs from 8 Artists from Latin America & the Caribbean
Click HERE to visit “Punktology Vol. 1″ page in Amazon Music
Click HERE to visit “Punktology Vol. 1″ in i-Tunes
PUNK OUTLAW RECORDS’ COMPILATION “FREE CUBA NOW!” ON I-TUNES & AMAZON MUSIC
- Punk Musicians from Latin America & Caribbean Join Label’s Protest of Treatment of Cuban Punks –
New York, NY – December 7th, 2011 – Punk Outlaw® Recordsannounced the release of their first compilation collection, Punktology Volume 1 – Free Cuba Now! The compilation features independent punk and hardcore music from Latin America and the Caribbean and is available on a variety of platforms including i-Tunes,Amazon Music, CD Baby and other leading digital music retailers.
The collection strives to showcase a variety of punk music from Latin America and the Caribbean to North American and European audiences. The title “Free Cuba Now” was chosen to help bring attention to the fact that Cuban punks, as well as many other subcultures on the island nation of Cuba, still suffer from suppression of their freedom of expression at the hands of the Cuban government.
The musical compilation is the first from the fledgling music label and features artists covered in the documentary “Punktology”, which is currently in production at Punk Outlaw’s® production banner and hopes to help shed light on the worldwide influence of punk music in unlikely places, like Cuba.
“While working on the documentary, I visited Cuba and witnessed firsthand the incredible lack of basic freedom of expression we take for granted in much of the western world, when one of our interviewees was arrested for simply speaking to us” states Robert G. Rose, Founder of Punk Outlaw Records and Executive Producer of Punktology. “Punk music is at its best when it’s railing against injustice. This music comes from a variety of bands from different countries, each with their own issues such as social inequality, government corruption and crippling poverty. Yet freedom of expression is a basic human right that most enjoy and we think Cubans and all human beings deserve this right as well.” Rose continues.
Punk Outlaw Records has pledged 25% of the record label’s share of net profits to charitable organizations whose missions are to help Cubans, including, Cuba Skate, a U.S. based charity providing skateboarding equipment, clothing and better opportunities for Cuban youth.
COMPILACIÓN “FREE CUBA NOW!” DE PUNK OUTLAW RECORDS EN I-TUNES
- Los músicos de Punk de Latinoamérica y el Caribe se unen a la protesta del sello discográfico con respecto al trato que se les da a los músicos de punk cubanos -
New York, NY – 7 de Deciembre de 2011 – Punk Outlaw® Records anunció el lanzamiento de su primera compilación Punktology Volume 1 – Free Cuba Now! La compilación incluye música punk y hardcore independiente de Latinoamérica y el Caribe, y está disponible en varias plataformas, incluida i-Tunes,Amazon Music, CD Baby y otros revendedores de música digital.
La colección se esfuerza por presentar una variedad de música punk de Latinoamérica y el Caribe a las audiencias Norteamericana y Europea. Se eligió el título “Free Cuba Now” para contribuir a generar conciencia acerca de que los músicos de punk cubanos, al igual que muchas otras subculturas de la isla de Cuba, todavía sufren la represión de su libertad de expresión que ejerce el gobierno cubano.
La compilación musical es la primera compilación del reciente sello discográfico e incluye a los artistas que forman parte del documental “Punktology”, que actualmente está siendo producido por el banner de producción de Punk Outlaw® y espera contribuir a revelar la influencia internacional de la música punk en lugares insólitos, como Cuba.
“Durante mi trabajo en el documental, visité Cuba y pude comprobar por mí mismo la increíble falta de libertad de expresión básica que damos por sentada en la mayor parte del mundo occidental, cuando uno de nuestros entrevistados fue arrestado simplemente por hablarnos”, afirma Robert G. Rose, Fundador de Punk Outlaw Records y Productor Ejecutivo de Punktology. “El mejor momento de la música punk surge cuando recrimina hechos de injusticia. Diversas bandas de distintos países tocan este tipo de música, cada una con sus propios conflictos, como la desigualdad social, la corrupción del gobierno y la pobreza agobiante. Sin embargo, la libertad de expresión es un derecho humano básico del que gozan la mayoría de las personas, y consideramos que los cubanos y todos los seres humanos merecen este derecho,” sostiene Rose.
Punk Outlaw Records aportó el 25% de las ganancias netas del sello discográfico a organizaciones benéficas cuya misión consiste en ayudar a los cubanos, incluida Cuba Skate (www.CubaSkate.com), una organización benéfica con base en los EE. UU. que proporciona equipos de monopatín, indumentaria y mejores oportunidades a los jóvenes cubanos.
Actualmente, la compilación está disponible para su compra en diversos revendedores de música digital en línea, incluidos I-tunes, Amazon Music, Zune y muchos más. Visite www.PunkOutlawRecords.com y www.Punktologycd.com para obtener más información y ver un avance de un video promocional. SPECIAL THANKS:
- Juan Esteban Almanzar Sanchez – Artwork Design
- Renzo Devia – Cuban Punk Photo
- Camilo Mendoza – Punk Outlaw Records Video Promo Edit
- The Punks in Cuba
- Los Suziox, Rudos Wild, Fertil Miseria, DMTR, Warning, El Terrible Y Los Mongoloides, Anti-Everything & Lokekeda